Digital Issue 2: Here and Then
This yearās issue ā Here and Then ā is the embodiment of the very existence of Visible Ink.
Here we have its second official digital issue, accessible on every electronic screen, be it computer, mobile or tablet ā or, hell, even the tiny eye-searing screen of a smart watch. Here, en dashes and em dashes are determined by unicode rather than the length of their namesake letter, and production meetings on Microsoft Teams allows you to work closely with people youāve never met face to face before. Here, Visible Ink has grown larger than Victoria.
But Then ā all the way back in 1989 ā Visible Ink was a humble printer-paper magazine put together by eager students desiring to give shape not only to the voices of emerging writers, but to the hopes and dreams of student editors, designers and creatives. Then, deadlines were determined by the printing supplierās closing hours, and the final product was the feeling of 90 gsm paper between your fingertips. Then, Visible Ink made its first step into Melbourneās literary landscape.
Congratulations to this yearās team who continue this legacy, taking the cumulative knowledge of not just their own studies, but the learnings of Visible Ink members before them, to produce an anthology that walks the tightrope of time and space. May your time creating Digital Issue 2 become a memory you look back on with pride and wonder, and encourage you to keep going.
And congratulations to the emerging writers brave enough to bare a part of their soul to the hungry gaze of the masses. In a theme as intimate as Here and Then, thank you for allowing Visible Ink to be part of your Here, and, hopefully, your Then as you grow in your creative careers.
Digital Issue 2 is both a collection and reflection as these writers explore the power of time: the ripple effects of a single leaf floating on the surface of a pond, or a cliff crumbling into an unsuspecting ocean. As Digital Issue 1 showed us, the passage of time can be a painful loss, but also an incredible revival.
Readers are invited to consume, to imagine, to challenge the ideas presented to them in Digital Issue 2 ... and perhaps even contemplate their own Then that has led them to this place, to this moment and to this page.
Maybe one day youāll join us Here.
Introduction by Sophia Chan (2024 Visible Ink Editor-in-Chief)
Fiction
Flash Fiction
Nonfiction
Poetry
Thank you to the 2025 Visible Ink team
Executive Committee
Joyce Protacio (Editor-in-Chief)
Otto Riddell (Secretary)
Amber Hall (Managing Editor)
Submissions Team
Maz Blanch
Clare Dixon
Katya Dugec
Dulcie Evans
Matt Freeman
Mason Henshall
Persephone Daisy Hunter
Claire Jenkins
Editorial Team
Christine Bayley
Edwina Berry
Katrina Bosanquet
Abby Jackson
Jihan Mirza
Madeline McFarlane
Talisha Ohanessian
Anastasia Parker
Melissa Reed
Adriana Salib
Rowan Williams
Rhiannon Bentley
Communications and Design
Nadjellah Mendoza
Alice Reid
Chance John
Charlie Robertson
Community and Events
Tien Le
Kate Purchase
Shaun Ng
RMIT Staff Advisors
Yannick Thoroval
Louisa Syme
Dzintra Boyd
Sarah Vincent
John Reeves